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It’s not just the subject matter that makes Mamoru Oshii’s film stand out so much: it’s also its design and score.

The fight scene where Motoko battles a convict at large in her camouflage suite is a particular highlight, and there’s plenty more where that came from.Īnimated by Production I.G., a studio that has since gone on to work on projects including Neon Genesis Evangelion and Kill Bill Vol.1 (they’re the ones behind that killer animation sequence), the film features seamless transitions and ground-breaking sequences. In comparison to other sci-fi films from similar times, Ghost in the Shell doesn’t feel outdated, even when it comes to the tracking technology the characters use, and it’s impressive that the studio’s work has been able to stand the test of time. Kenji Kawai’s soundtrack is particularly striking. It’s ethereal and chilling, and Kawai’s main theme, which features a chorus, is used to great effect. It chimes in at the perfect moments, strengthening the film’s sombre nature and Motoko’s journey the ancient Japanese lyrics that are used in one song are juxtaposed against the futuristic society we see on screen.Īll that being said, the film does suffer from some pacing issues. Those looking for an action-packed thriller are not likely to find it here. The film keeps to a deliberate pace, and is slow to reach its climax. When the action sequences start they are exciting and beautifully animated, but they are few and far between, as the story focuses more on Motoko’s meditations on her humanity. Even when Motoko is faced with the Puppet Master, the encounter is subdued and philosophical. GHOST IN THE SHELL WATCH ONLINE OPENLOAD TVīut it is this, rather than the action, that defines Ghost in the Shell as a whole – a groundbreaking anime that has become a cinematic masterpiece in its own right.

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